2017 49c Work Pays America
President Franklin Roosevelt’s New Deal and Works Progress Administration (WPA) projects helped America find its way out of the Great Depression. They created millions of new jobs and improved communities with a wide range of public works projects. Among these ambitious programs was Federal Project Number One.
Federal Project Number One was a $27 million program aimed at creating jobs for thousands of artists, musicians, actors and writers. The largest of these projects was the Federal Art Project. Out-of-work artists were paid about $23 a week to create murals, paintings, sculptures, photographs, theater set designs, and other art forms. These artists also created over 100 community art centers to both display and teach their craft. A number of now-famous artists were able to survive the Depression thanks to this program, including Jackson Pollock, Willem de Kooning, Mark Rothko, and Arshile Gorky. In all, the Federal Art Project employed some 10,000 artists and yielded over 200,000 separate works of art.
An integral part of the Federal Art Project was the creation of about two million silk-screened posters. These posters promoted the work being done by the WPA, with topics including education, public health, travel, workplace safety, recreation, national parks, and more. Today, these posters are highly sought-after collectibles, a testament to the creativity and enduring messages the posters carried.
Issued: March 7, 2017
First Day City: Hyde Park, NY
Type of Stamp: First Class Mail
Printed by: Ashton Potter Ltd.
Quantity Printed: 100,000,000
Birth of William H. Johnson
Artist William H. Johnson was born on March 18, 1901, in Florence, South Carolina. He was one of the leading African American artists of the 20th century, best known for his bright folk style paintings.
Johnson attended the first public school in Florence, where he may have first been exposed to art. He quickly gravitated to drawing, copying comic strips from newspapers. For a time, he thought he might work as a newspaper cartoonist. When he was 17, he moved to New York City and worked several odd jobs so he could afford to attend the National Academy of Design. During his summers he also studied under Charles Webster Hawthorne at the Cape Cod School of Art in Massachusetts.
While a student, Johnson received a number of awards from the National Academy of Design. Despite being recognized as one of the most talented artists in his class, he was overlooked for the Pulitzer Travel Scholarship, possibly due to his race. However, his mentor, Hawthorne, believed he deserved the trip, so he raised $1,000 to help Johnson study abroad.
After arriving in Paris, Johnson had his first solo exhibition at the Students and Artists Club in 1927. He then spent some time in Cagnes-sur-Mer and learned about modernism. While in Europe, he met the love of his life, textile artist Holcha Krake. Johnson returned to the US in 1929 and was encouraged to enter his work for the William E. Harmon Foundation Award for Distinguished Achievement Among Negroes in the Fine Arts Field. He won the gold medal and was celebrated as a “real modernist” with “spontaneous, vigorous, firm, direct” work. Johnson also exhibited his work in his hometown twice before returning to Europe in 1930.
Upon his return, Johnson married Holcha Krake and they spent most of the decade in Scandinavia. While there, Johnson became interested in folk art and his work took on a new style. He returned back to American in 1938 and shifted to a “primitive” style, with bright, contrasting colors and two-dimensional figures. When the Great Depression began, he joined the Works Progress Administration’s Federal Art Project and worked as a teacher at the Harlem Community Art Center. During this time, he began to explore African American culture and traditions. He wanted to “paint his own people” and did so in his characteristic folk style.
As Johnson’s work gained attention, his wife died in 1944. He traveled briefly and painted until 1947, when mental illness took hold and he was institutionalized until his death on April 13, 1970.
In 1967, all of Johnson’s 1,300 paintings were donated to the Smithsonian Institution, where they were put on display, reviving interest and establishing him as a leading painter of his time. In 2001, the William H. Johnson Foundation for the Arts was established to mark his 100th birthday and began awarding annual prizes to African American artists. During his term as president, Barack Obama chose four of Johnson’s paintings to decorate the White House – the most by any single artist. His hometown of Florence unveiled a statue in Johnson’s honor in 2020.
View some of Johnson’s artwork.