# 4902831 FDC - 1994 James Thurber Proofcard
Often called the ultimate philatelic issue, the Fleetwood Proofcard is a distinctive commemorative with an elegantly embossed surface. Each Proofcard bears an original work of art complementing the theme of the stamp and created exclusively for Fleetwood by a leading American artist. Proofcards are often collected on their own, but would also make a beautiful addition to your existing stamp or cover collection.
Birth Of James Thurber
When he was a child, Thurber and his brother played a game of William Tell (shooting an apple off someone’s head), during which his brother accidentally shot him in the eye. He eventually went almost blind and was unable to play sports or join in other activities. Instead, he found he had a boundless creativity and enjoyed writing.
In 1927, Thurber joined the newly established magazine The New Yorker as a managing editor and staff writer with the encouragement of E.B. White. Three years later, White discovered some of Thurber’s drawings in a trash can and convinced him that they were good enough for publication. From then until the 1950s, Thurber wrote and illustrated for The New Yorker.
Click here for more about Thurber and here to read some of his New Yorker work.
Often called the ultimate philatelic issue, the Fleetwood Proofcard is a distinctive commemorative with an elegantly embossed surface. Each Proofcard bears an original work of art complementing the theme of the stamp and created exclusively for Fleetwood by a leading American artist. Proofcards are often collected on their own, but would also make a beautiful addition to your existing stamp or cover collection.
Birth Of James Thurber
When he was a child, Thurber and his brother played a game of William Tell (shooting an apple off someone’s head), during which his brother accidentally shot him in the eye. He eventually went almost blind and was unable to play sports or join in other activities. Instead, he found he had a boundless creativity and enjoyed writing.
In 1927, Thurber joined the newly established magazine The New Yorker as a managing editor and staff writer with the encouragement of E.B. White. Three years later, White discovered some of Thurber’s drawings in a trash can and convinced him that they were good enough for publication. From then until the 1950s, Thurber wrote and illustrated for The New Yorker.
Click here for more about Thurber and here to read some of his New Yorker work.