# 3748 - 2003 37c Literary Arts: Zora Neale Hurston
37¢ Zora Neale Hurston
Literary Arts Series
City: Eatonville, FL
Quantity: 70,000,000
Printed By: American Packaging Corp. for Sennett Security Products
Printing Method: Photogravure
Perforations: Serpentine Die Cut 10 ¾
Color: Multicolored
Birth Of Zora Neale Hurston
When she was just three years old, Hurston’s family moved to Eatonville, Florida, one of the first incorporated all-African American towns in the US. Hurston always reflected on Eatonville affectionately and set many of her stories there as African Americans could live as they wanted.
After graduating from Barnard University in 1929, Hurston moved to Florida for an anthropological study. She then traveled the Caribbean and American South to conduct research for Mules and Men. Published in 1935, it was a major work of “literary anthropology” chronicling African American folklore in timber camps.
Throughout the 1930s Hurston attempted to translate her writing for performing arts, producing a folk revue, The Great Day, and Singing Steel. These included authentic African song and dance. Hurston believed that folk stories should be dramatized in this way. She also published her first three novels during the 1930s, Jonah’s Gourd Vine, Their Eyes Were Watching God (based on her fieldwork in Haiti), and Moses, Man of the Mountain. In 1937, she received a Guggenheim Fellowship for research in Jamaica and Haiti, which resulted in the 1938 work Tell My Horse.
Hurston spent much of the 1940s and 50s writing for periodicals such as The American Mercury and The Saturday Evening Post. She published her last novel, Seraph on the Suwanee, in 1948. Hurston’s popularity waned in the 1950s, in part because of her representation of African American dialect. She died in relative obscurity on January 28, 1960, in Fort Pierce, Florida.
37¢ Zora Neale Hurston
Literary Arts Series
City: Eatonville, FL
Quantity: 70,000,000
Printed By: American Packaging Corp. for Sennett Security Products
Printing Method: Photogravure
Perforations: Serpentine Die Cut 10 ¾
Color: Multicolored
Birth Of Zora Neale Hurston
When she was just three years old, Hurston’s family moved to Eatonville, Florida, one of the first incorporated all-African American towns in the US. Hurston always reflected on Eatonville affectionately and set many of her stories there as African Americans could live as they wanted.
After graduating from Barnard University in 1929, Hurston moved to Florida for an anthropological study. She then traveled the Caribbean and American South to conduct research for Mules and Men. Published in 1935, it was a major work of “literary anthropology” chronicling African American folklore in timber camps.
Throughout the 1930s Hurston attempted to translate her writing for performing arts, producing a folk revue, The Great Day, and Singing Steel. These included authentic African song and dance. Hurston believed that folk stories should be dramatized in this way. She also published her first three novels during the 1930s, Jonah’s Gourd Vine, Their Eyes Were Watching God (based on her fieldwork in Haiti), and Moses, Man of the Mountain. In 1937, she received a Guggenheim Fellowship for research in Jamaica and Haiti, which resulted in the 1938 work Tell My Horse.
Hurston spent much of the 1940s and 50s writing for periodicals such as The American Mercury and The Saturday Evening Post. She published her last novel, Seraph on the Suwanee, in 1948. Hurston’s popularity waned in the 1950s, in part because of her representation of African American dialect. She died in relative obscurity on January 28, 1960, in Fort Pierce, Florida.