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3649n - 2002 37c Masters of American Photography: W. Eugene Smith
2002 37c Masters of American Photography: W. Eugene Smith

# 3649n - 2002 37c Masters of American Photography: W. Eugene Smith

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U.S. #3649n
37¢ Frontline Soldier with Canteen, Saipan
by W. Eugene Smith
Masters of American Photography

Issue Date: June 13, 2002
City: San Diego, CA
Quantity: 3,000,000
Printed By: American Packaging Corporation for Sennett Security Products
Printing Method: Photogravure
Perforations: Serpentine Die Cut 10.5 x 10.75
Color: Multicolored
The Masters of American Photography pane marks the end of the Classic Collection Series that began in 1994 with the Legends of the West. Works by twenty renowned American photographers are displayed on this pane in chronological order. The selvage shows a photo taken by William Henry Jackson or by one of his assistants. These artists combined daring, craftsmanship, and creativity to enlarge our view of America and the American people.
 
W. Eugene Smith (1918-78) photographed for magazines in the Pacific theater of World War II. True to his intention, Smith’s images stand as a powerful visual indictment against war.

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U.S. #3649n
37¢ Frontline Soldier with Canteen, Saipan
by W. Eugene Smith
Masters of American Photography

Issue Date: June 13, 2002
City: San Diego, CA
Quantity: 3,000,000
Printed By: American Packaging Corporation for Sennett Security Products
Printing Method: Photogravure
Perforations: Serpentine Die Cut 10.5 x 10.75
Color: Multicolored
The Masters of American Photography pane marks the end of the Classic Collection Series that began in 1994 with the Legends of the West. Works by twenty renowned American photographers are displayed on this pane in chronological order. The selvage shows a photo taken by William Henry Jackson or by one of his assistants. These artists combined daring, craftsmanship, and creativity to enlarge our view of America and the American people.
 
W. Eugene Smith (1918-78) photographed for magazines in the Pacific theater of World War II. True to his intention, Smith’s images stand as a powerful visual indictment against war.

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