1998 32c Celebrate the Century,1920s: Charleston
# 3184h FDC - 1998 32c Celebrate the Century - 1920s: Charleston
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3184h FDC - 1998 32c Celebrate the Century - 1920s: Charleston
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U.S. #3184h
32¢ Flappers Do the Charleston
Celebrate the Century – 1920s
32¢ Flappers Do the Charleston
Celebrate the Century – 1920s
Issue Date: May 28, 1998
City: Washington, DC
Quantity: 12,533,000
Printed By: Ashton-Potter (USA) Ltd
Printing Method: Lithographed
Perforations: 11.5
Color: Multicolored
City: Washington, DC
Quantity: 12,533,000
Printed By: Ashton-Potter (USA) Ltd
Printing Method: Lithographed
Perforations: 11.5
Color: Multicolored
Popular trends of the 1920s helped Americans forget the hardships of World War I. These fads also developed from efforts to be modern. During the “Roaring Twenties,” the lifestyle of many young men and women was called the “Flaming Youth.”
The women who became known as flappers wore radical new styles such as short skirts and tight dresses, and rolled down stockings. They wore their hair cut short in a boyish style called the “bob.” The men were their beaus. Together, they went to secret clubs call speakeasies, where they drank bootleg liquor, listened to jazz, and danced the Charleston.
The Charleston could be danced solo, with a partner, or in a group. Its characteristic twisting steps made to the quick rhythm of the music were mixed with energetic kicks and lively swinging arm movements. The Charleston was adopted by professional dancers around 1920, and became a popular craze after it was featured in the black musical Running Wild in 1923.
This ballroom dance sensation of the 1920s evolved from a black folk dance which was well known throughout the southern United States. The dance was named for Charleston, South Carolina, the city credited with its origin.
Death Of James P. Johnson
Noted pianist and jazz artist James Price Johnson died on November 17, 1955.
Johnson was born on February 1, 1894, in New Brunswick, New Jersey. He sang in his church choir and taught himself piano at a young age. Johnson got his first job playing piano in 1912. After, he decided not to go back to school, but to pursue a musical career full time.
Johnson spent several years studying European piano traditions as well as ragtime and other pianists’ work. He also started composing his own ragtime songs and touring in the Smart Set Revue. By 1920, Johnson became well known on the East coast as a talented pianist. He also made dozens of player piano recordings.
During this period, Johnson played piano for a number of singers’ live performances. His ability to adapt and play songs in any key made him a favorite among many singers, including Ethel Waters and Bessie Smith. Waters once said that working with Johnson “made you want to sing until your tonsils fell out.” In 1921, several of Johnson’s songs were some of the first piano solos to be put on record. These included “Harlem Strut,” “Keep Off the Grass,” “Carolina Shout,” and “Worried and Lonesome Blues.”
In 1923, Johnson became the musical director for the Plantation Days revue, which traveled to England for four months. Later that year, he helped write the revue Runnin’ Wild, which toured for over five years and appeared on Broadway.
Johnson’s career slowed during the Depression, when swing music became popular. He used this time to explore more traditional piano techniques and composed a number of orchestral pieces. As interest in jazz was revived in the late 1930s, Johnson returned to popularity. He performed at Carnegie Hall in 1938 and 1939. Despite suffering a stroke in 1940, Johnson embarked on a busy schedule of performing, composing, and recording in 1942. However, he suffered another stroke in 1951 that forced him to retire. He died four years later on November 17, 1955, in Jamaica, Queens, New York.
An innovative figure in American music, Johnson combined elements of ragtime, blues, dance rhythms, and classical music. This create the distinctive jazz piano style known as Harlem stride piano. Characterized by great rhythmic and harmonic development, often involving 10-note chords, this style creates a full, powerful sound. As the “father of stride piano,” Johnson strongly influenced such jazz greats as Count Basie, Duke Ellington, and Fats Waller.
Johnson’s ability to compose made him unique among his contemporaries. He wrote the scores for at least 16 musical shows during the 1920s. It was out of his 1923 Broadway production Runnin’ Wild that the tune and dance usually identified with the decade came – the Charleston. Many of his recordings have become jazz standards, including “If I Could Be With You,” “Snowy Morning Blues,” and “You Can’t Lose A Broken Heart.” Additionally, several songs were featured in hit movies, including Casablanca, It’s a Wonderful Life, and The Great Gatsby. In the years since his death, Johnson has been inducted into the Songwriters, Down Beat Jazz, and Big Band Halls of Fame.
U.S. #3184h
32¢ Flappers Do the Charleston
Celebrate the Century – 1920s
32¢ Flappers Do the Charleston
Celebrate the Century – 1920s
Issue Date: May 28, 1998
City: Washington, DC
Quantity: 12,533,000
Printed By: Ashton-Potter (USA) Ltd
Printing Method: Lithographed
Perforations: 11.5
Color: Multicolored
City: Washington, DC
Quantity: 12,533,000
Printed By: Ashton-Potter (USA) Ltd
Printing Method: Lithographed
Perforations: 11.5
Color: Multicolored
Popular trends of the 1920s helped Americans forget the hardships of World War I. These fads also developed from efforts to be modern. During the “Roaring Twenties,” the lifestyle of many young men and women was called the “Flaming Youth.”
The women who became known as flappers wore radical new styles such as short skirts and tight dresses, and rolled down stockings. They wore their hair cut short in a boyish style called the “bob.” The men were their beaus. Together, they went to secret clubs call speakeasies, where they drank bootleg liquor, listened to jazz, and danced the Charleston.
The Charleston could be danced solo, with a partner, or in a group. Its characteristic twisting steps made to the quick rhythm of the music were mixed with energetic kicks and lively swinging arm movements. The Charleston was adopted by professional dancers around 1920, and became a popular craze after it was featured in the black musical Running Wild in 1923.
This ballroom dance sensation of the 1920s evolved from a black folk dance which was well known throughout the southern United States. The dance was named for Charleston, South Carolina, the city credited with its origin.
Death Of James P. Johnson
Noted pianist and jazz artist James Price Johnson died on November 17, 1955.
Johnson was born on February 1, 1894, in New Brunswick, New Jersey. He sang in his church choir and taught himself piano at a young age. Johnson got his first job playing piano in 1912. After, he decided not to go back to school, but to pursue a musical career full time.
Johnson spent several years studying European piano traditions as well as ragtime and other pianists’ work. He also started composing his own ragtime songs and touring in the Smart Set Revue. By 1920, Johnson became well known on the East coast as a talented pianist. He also made dozens of player piano recordings.
During this period, Johnson played piano for a number of singers’ live performances. His ability to adapt and play songs in any key made him a favorite among many singers, including Ethel Waters and Bessie Smith. Waters once said that working with Johnson “made you want to sing until your tonsils fell out.” In 1921, several of Johnson’s songs were some of the first piano solos to be put on record. These included “Harlem Strut,” “Keep Off the Grass,” “Carolina Shout,” and “Worried and Lonesome Blues.”
In 1923, Johnson became the musical director for the Plantation Days revue, which traveled to England for four months. Later that year, he helped write the revue Runnin’ Wild, which toured for over five years and appeared on Broadway.
Johnson’s career slowed during the Depression, when swing music became popular. He used this time to explore more traditional piano techniques and composed a number of orchestral pieces. As interest in jazz was revived in the late 1930s, Johnson returned to popularity. He performed at Carnegie Hall in 1938 and 1939. Despite suffering a stroke in 1940, Johnson embarked on a busy schedule of performing, composing, and recording in 1942. However, he suffered another stroke in 1951 that forced him to retire. He died four years later on November 17, 1955, in Jamaica, Queens, New York.
An innovative figure in American music, Johnson combined elements of ragtime, blues, dance rhythms, and classical music. This create the distinctive jazz piano style known as Harlem stride piano. Characterized by great rhythmic and harmonic development, often involving 10-note chords, this style creates a full, powerful sound. As the “father of stride piano,” Johnson strongly influenced such jazz greats as Count Basie, Duke Ellington, and Fats Waller.
Johnson’s ability to compose made him unique among his contemporaries. He wrote the scores for at least 16 musical shows during the 1920s. It was out of his 1923 Broadway production Runnin’ Wild that the tune and dance usually identified with the decade came – the Charleston. Many of his recordings have become jazz standards, including “If I Could Be With You,” “Snowy Morning Blues,” and “You Can’t Lose A Broken Heart.” Additionally, several songs were featured in hit movies, including Casablanca, It’s a Wonderful Life, and The Great Gatsby. In the years since his death, Johnson has been inducted into the Songwriters, Down Beat Jazz, and Big Band Halls of Fame.