1997 32c Merian Botanicals: Flowering Pineapple, booklet single
# 3129 - 1997 32c Merian Botanicals: Flowering Pineapple, booklet single
$1.50 - $2.50
(No reviews yet)
Write a Review
Write a Review
3129 - 1997 32c Merian Botanicals: Flowering Pineapple, booklet single
| Image | Condition | Price | Qty | |
|---|---|---|---|---|
|
Classic First Day Cover
Ships in 1-3 business days.
Ships in 1-3 business days.
$ 2.50
|
$ 2.50 |
|
|
|
Mint Stamp(s)
Ships in 1-3 business days.
Ships in 1-3 business days.
$ 1.65
|
$ 1.65 |
|
|
|
Used Single Stamp(s)
Usually ships within 30 days.
Usually ships within 30 days.
$ 1.50
|
$ 1.50 |
|
Mounts - Click Here
| Mount | Price | Qty |
|---|
US #3129
1997 Flowering Pineapple – Merian Botanicals (Booklet Single)
- Pictured 300-year-old artwork by German artist Maria Sibylla Merian (1647-1717)
- One of two Merian Botanicals designs (the other being the Citron)
Stamp Category: Definitive
Set: Merian Botanicals
Value: 32¢, First Class Mail Rate
First Day of Issue: March 3, 1997
First Day City: Washington, DC
Quantity Issued: 371,325,000
Printed by: Printed for Stamp Venturers by J.W. Fergusson & Sons, Richmond, Virginia
Printing Method: Photogravure
Format: Booklet Pane of 15 (vertical, attached to backing paper in 3 blocks of 5 stamps each)
Perforations: 11.3 x 10.7
Tagging: Phosphored Paper
Why the stamp was issued: To cover the 32¢ First Class Mail rate.
About the stamp design: Pictures a botanical illustration by German artist Maria Sibylla Merian (1647-1717). It pictures a flowering pineapple plant.
First Day City: First Day of Issue Ceremony at the National Museum of Women in the Arts in Washington, DC. Appropriate given the stamp artist.
History the stamp represents: Naturalist and artist Maria Sibylla Merian was born on April 2, 1647, in Frankfurt-am-Main, Germany. Merian spent her life studying insects and plants and capturing them in beautifully detailed paintings and drawings.
Merian’s father was an engraver and publisher, but he died when she was three. Her mother remarried artist Jacob Marrel in 1651 and he encouraged her to paint and draw. When she was 13, Merian did her first painting of plants and insects based on live specimens she collected. She was fascinated by caterpillars and collected all she could find so she could witness how they changed into beautiful butterflies and moths.
Merian married her stepfather’s apprentice, Johann Andreas Graff, in 1665, and they moved to Nuremberg in 1670. She continued to paint and design embroidery. She also gave drawing lessons to the daughters of wealthy families. This helped raise her social standing while also giving her access to some of the area’s finest gardens, where she could continue to collect and study insects.
While other female artists included insects in their paintings of flowers, few others bred or studied them like Merian did. She published her first book on insects in 1679, which focused on their metamorphosis. At the time, little was known about this process. Some people wrote about it, but most people believed they were “born of mud” – having been born spontaneously. Merian’s research refuted this and explored the life cycles of 186 different species of insects.
In the 1680s, Merian moved to Friesland, the Netherlands, for a time before settling in Amsterdam in 1691. She and her husband divorced in 1692 and she supported herself and her daughters by selling her flower paintings. After selling 255 of her own paintings, she raised enough money to travel to Suriname, where she planned to spend five years studying new species of insects.
Merian arrived in Suriname in September 1899. She traveled around the country, studying and drawing all the local plants and animals she could find. She also made several observations about the life and culture there. Merian condemned the colonial merchants use of slaves. They also mocked her for her course of study, and she thought it odd that they only wanted to plant and export sugar. Merian enjoyed exploring the agriculture there and illustrated some of the fruits and vegetables she found there, including pineapples.
Many years after her death, several insects, a spider, a snail, a lizard, a toad, and even a bird were named after Merian in honor of her contributions to naturalism.
US #3129
1997 Flowering Pineapple – Merian Botanicals (Booklet Single)
- Pictured 300-year-old artwork by German artist Maria Sibylla Merian (1647-1717)
- One of two Merian Botanicals designs (the other being the Citron)
Stamp Category: Definitive
Set: Merian Botanicals
Value: 32¢, First Class Mail Rate
First Day of Issue: March 3, 1997
First Day City: Washington, DC
Quantity Issued: 371,325,000
Printed by: Printed for Stamp Venturers by J.W. Fergusson & Sons, Richmond, Virginia
Printing Method: Photogravure
Format: Booklet Pane of 15 (vertical, attached to backing paper in 3 blocks of 5 stamps each)
Perforations: 11.3 x 10.7
Tagging: Phosphored Paper
Why the stamp was issued: To cover the 32¢ First Class Mail rate.
About the stamp design: Pictures a botanical illustration by German artist Maria Sibylla Merian (1647-1717). It pictures a flowering pineapple plant.
First Day City: First Day of Issue Ceremony at the National Museum of Women in the Arts in Washington, DC. Appropriate given the stamp artist.
History the stamp represents: Naturalist and artist Maria Sibylla Merian was born on April 2, 1647, in Frankfurt-am-Main, Germany. Merian spent her life studying insects and plants and capturing them in beautifully detailed paintings and drawings.
Merian’s father was an engraver and publisher, but he died when she was three. Her mother remarried artist Jacob Marrel in 1651 and he encouraged her to paint and draw. When she was 13, Merian did her first painting of plants and insects based on live specimens she collected. She was fascinated by caterpillars and collected all she could find so she could witness how they changed into beautiful butterflies and moths.
Merian married her stepfather’s apprentice, Johann Andreas Graff, in 1665, and they moved to Nuremberg in 1670. She continued to paint and design embroidery. She also gave drawing lessons to the daughters of wealthy families. This helped raise her social standing while also giving her access to some of the area’s finest gardens, where she could continue to collect and study insects.
While other female artists included insects in their paintings of flowers, few others bred or studied them like Merian did. She published her first book on insects in 1679, which focused on their metamorphosis. At the time, little was known about this process. Some people wrote about it, but most people believed they were “born of mud” – having been born spontaneously. Merian’s research refuted this and explored the life cycles of 186 different species of insects.
In the 1680s, Merian moved to Friesland, the Netherlands, for a time before settling in Amsterdam in 1691. She and her husband divorced in 1692 and she supported herself and her daughters by selling her flower paintings. After selling 255 of her own paintings, she raised enough money to travel to Suriname, where she planned to spend five years studying new species of insects.
Merian arrived in Suriname in September 1899. She traveled around the country, studying and drawing all the local plants and animals she could find. She also made several observations about the life and culture there. Merian condemned the colonial merchants use of slaves. They also mocked her for her course of study, and she thought it odd that they only wanted to plant and export sugar. Merian enjoyed exploring the agriculture there and illustrated some of the fruits and vegetables she found there, including pineapples.
Many years after her death, several insects, a spider, a snail, a lizard, a toad, and even a bird were named after Merian in honor of her contributions to naturalism.