# 3000r FDC - 1995 32c Comic Strip Classics: Terry and the Pirates
U.S. #3000r
1995 32¢ Terry and the Pirates
Comic Strip Classics
Third sheet in the Classic Collection Series
Stamp Category: Commemorative
Set: Comic Strip Classics
Value: 32¢, rate for first-class mail
First Day of Issue: October 1, 1995
First Day Cities: Boca Raton, Florida
Quantity Issued: 300,000,000
Printed by: Stamp Venturers
Printing Method: Photogravure
Format: Panes of 20 in sheets of 120
Perforations: 10.1 x 10.2
Why the stamps were issued: The Comic Strip Classics sheet was the third issue in the Classic Collection Series. There was push to create a stamp to honor American comics as early as the 1960’s, but didn’t get real consideration until 1993. With the 100th anniversary of the comic The Yellow Kid, a comic committee, and an 83-page proposal the USPS finally agreed.
About the stamp designs: Even though only one stamp was approved, Terrence McCaffrey, head of stamp design, thought there was no way to honor American Comics with one single stamp. Therefore, he had a list of all proposed stamps and had Carl Herrman, art director, mock up a sheet of 20 stamps. McCaffrey wanted all the stamps to be taken from original panels by their respected artist. Herrmann worked on going through thousands of panels to find comics of the 20 chosen that showed the central theme of the comic in one panel with clean lines. Then with the help of American Color, that colorizes most of the comics in American newspapers, he was able to colorize them with accurate color choices, even those that were outdated.
Terry and the Pirates (#3000r) – It was hard for Carl Herrman, who admired this comic since childhood, to find a panel that would work for a stamp. He finally settled on a panel in which not much had to be done besides shrinking the title and moving the jet over a bit.
About the printing process: In order to include the text on the back of each stamp, it had to be printed under the gum, so that it would still be visible if a stamp was soaked off an envelope. Because people would need to lick the stamps, the ink had to be approved by the Food and Drug Administration as non-toxic. The printer also used an extra-fine 300-line screen, which resulted in some of the highest-quality gravure stamp printings in recent years.
History the stamps represent:
Terry and the Pirates
Never has a strip inspired more reader involvement with its characters and stories than Milton Caniff’s Terry and the Pirates, which appeared in 1934. Using strong contrasts of light and shadows and cinematic graphic techniques, he revitalized newspaper adventure strips, crating dynamic compositions that supported his bold, realistic narrative.
Along with Hal Foster and Alex Raymond, Caniff, who was known as the comics’ “great realist,” set the standard for adventure strips. He achieved national fame with his kid strip Dickie Dare, before his work came to the attention of Captain Patterson of the Chicago Tribune-New York News Syndicate. In response to Patterson’s request for a “blood and thunder” suspense adventure strip “with juvenile angle,” Caniff created his popular strip, Terry and the Pirates.
A founder of the National Cartoonists Society and two-time winner of its illustrious Reuben Award, Caniff had many imitators during the decade he drew Terry. When he left the syndicate in 1946, it was to create another adventure strip, Steve Canyon, which he continued to draw for the remainder of his career.
U.S. #3000r
1995 32¢ Terry and the Pirates
Comic Strip Classics
Third sheet in the Classic Collection Series
Stamp Category: Commemorative
Set: Comic Strip Classics
Value: 32¢, rate for first-class mail
First Day of Issue: October 1, 1995
First Day Cities: Boca Raton, Florida
Quantity Issued: 300,000,000
Printed by: Stamp Venturers
Printing Method: Photogravure
Format: Panes of 20 in sheets of 120
Perforations: 10.1 x 10.2
Why the stamps were issued: The Comic Strip Classics sheet was the third issue in the Classic Collection Series. There was push to create a stamp to honor American comics as early as the 1960’s, but didn’t get real consideration until 1993. With the 100th anniversary of the comic The Yellow Kid, a comic committee, and an 83-page proposal the USPS finally agreed.
About the stamp designs: Even though only one stamp was approved, Terrence McCaffrey, head of stamp design, thought there was no way to honor American Comics with one single stamp. Therefore, he had a list of all proposed stamps and had Carl Herrman, art director, mock up a sheet of 20 stamps. McCaffrey wanted all the stamps to be taken from original panels by their respected artist. Herrmann worked on going through thousands of panels to find comics of the 20 chosen that showed the central theme of the comic in one panel with clean lines. Then with the help of American Color, that colorizes most of the comics in American newspapers, he was able to colorize them with accurate color choices, even those that were outdated.
Terry and the Pirates (#3000r) – It was hard for Carl Herrman, who admired this comic since childhood, to find a panel that would work for a stamp. He finally settled on a panel in which not much had to be done besides shrinking the title and moving the jet over a bit.
About the printing process: In order to include the text on the back of each stamp, it had to be printed under the gum, so that it would still be visible if a stamp was soaked off an envelope. Because people would need to lick the stamps, the ink had to be approved by the Food and Drug Administration as non-toxic. The printer also used an extra-fine 300-line screen, which resulted in some of the highest-quality gravure stamp printings in recent years.
History the stamps represent:
Terry and the Pirates
Never has a strip inspired more reader involvement with its characters and stories than Milton Caniff’s Terry and the Pirates, which appeared in 1934. Using strong contrasts of light and shadows and cinematic graphic techniques, he revitalized newspaper adventure strips, crating dynamic compositions that supported his bold, realistic narrative.
Along with Hal Foster and Alex Raymond, Caniff, who was known as the comics’ “great realist,” set the standard for adventure strips. He achieved national fame with his kid strip Dickie Dare, before his work came to the attention of Captain Patterson of the Chicago Tribune-New York News Syndicate. In response to Patterson’s request for a “blood and thunder” suspense adventure strip “with juvenile angle,” Caniff created his popular strip, Terry and the Pirates.
A founder of the National Cartoonists Society and two-time winner of its illustrious Reuben Award, Caniff had many imitators during the decade he drew Terry. When he left the syndicate in 1946, it was to create another adventure strip, Steve Canyon, which he continued to draw for the remainder of his career.