# 2856 - 1994 29c Blues and Jazz Singers: Billie Holiday
US #2856
1994 Billie Holiday
- Part of the Legends of American Music series
- Set features eight Jazz and Blues singers from the 20th century
Category of Stamp: Commemorative
Set: Jazz and Blues Singers, from the Legends of American Music series
Value: 29¢, First-Class Mail rate
First Day of Issue: September 17, 1994
First Day City: Greenville, Mississippi
Quantity Issued: 21,862,750
Printed by: Ashton-Potter
Printing Method: Lithographed
Format: Panes of 35 from printing plates of 210 (15 across, 14 down)
Perforations: 11 X 10.8
Reason the stamp was issued: The Jazz and Blues Singers stamps were issued as part of the Legends of American Music series. They honor some of the most famous jazz and Blues singers of the 20th century.
About the stamp design: The image on the Billie Holiday stamp was painted by veteran stamp artist Howard Koslow. Dissatisfied with the photos of Holiday provided by the USPS, Koslow discovered the work of William Gottlieb in jazz books from the library. Koslow met with Gottlieb and found just the right photo of Holiday. It had been taken in the 1940s in a Manhattan nightclub. Koslow created an acrylic painting based on the photo, and this became the stamp’s image.
The Blues and Jazz Singers stamps were originally planned as two separate sets, and different artists were hired for each set. When the two sets were combined into one, both artists continued with their assignments. Magazine illustrator Julian Allen, was given the four blues singers, while Howard Koslow created the artwork for the jazz singers. The USPS supplied photos of the singers to both artists, but they were dissatisfied with the way some of the singers were portrayed and found other sources.
First Day City: The First Day of Issue ceremony for the set was held in Greenville, Mississippi, during the 17th annual Mississippi Delta Blues Festival. Other cities also hosted First Day of Issue celebrations. These included the hometowns of some of the featured singers.
About the Legends of American Music Series: The Legends of American Music Series debuted on January 8, 1993, and ran until September 21, 1999. The stamps were issued in semi-jumbo size. The name of each performer is in white letters, sometimes on a black background to make it stand out. The name of the set is shown running up the left side of the stamp.
More than 90 artists are represented from all styles of music: rock ‘n’ roll, rhythm and blues, country and western, jazz and pop, opera and classical, gospel and folk. In addition to individual singers and Broadway musicals, subjects include band leaders, classical composers, Hollywood songwriters and composers, conductors, lyricists, and more. The Legends of American Music Series was a huge advancement for diversity because it honored many Black and female artists.
Fagan’s father was likely Clarence Holiday, a traveling musician, who left the family to pursue his music career. For much of Holiday’s early life, her mother was away from home for long periods of time for various transportation jobs, so she was raised by extended family.
In 1933, Holiday made her first recording at the age of 18. She recorded “Your Mother’s Son-in-Law” and “Riffin’ the Scotch.” The latter album sold 5,000 copies. Although she was relatively unknown until 1935, these first recordings are considered jazz masterpieces. Holiday impressed producer John Hammond, who claimed, “Her singing almost changed my music tastes and my musical life, because she was the first girl singer I’d come across who actually sang like an improvising jazz genius.”
In 1935, Holiday appeared in Duke Ellington’s short, Symphony in Black: A Rhapsody of Negro Life. That same year she recorded “What a Little Moonlight Can Do,” which gave Holiday her first taste of fame. In the coming years, Holiday made a habit of taking pop songs and turning them into Jazz hits, including “Twenty-Four Hours a Day” and “Yankee Doodle Went to Town.”
Holiday would go on to have more success in the 1940s, with “Lover Man.” In 1946, Holiday appeared in the only major film of her career, New Orleans. After a brief stint in jail for narcotics, Holiday staged a comeback concert at Carnegie Hall in 1948. She sold 2,700 tickets in advance, a record for the time. That same year she also had a short-lived run on Broadway.
Click here to listen to some of Holiday’s songs.
US #2856
1994 Billie Holiday
- Part of the Legends of American Music series
- Set features eight Jazz and Blues singers from the 20th century
Category of Stamp: Commemorative
Set: Jazz and Blues Singers, from the Legends of American Music series
Value: 29¢, First-Class Mail rate
First Day of Issue: September 17, 1994
First Day City: Greenville, Mississippi
Quantity Issued: 21,862,750
Printed by: Ashton-Potter
Printing Method: Lithographed
Format: Panes of 35 from printing plates of 210 (15 across, 14 down)
Perforations: 11 X 10.8
Reason the stamp was issued: The Jazz and Blues Singers stamps were issued as part of the Legends of American Music series. They honor some of the most famous jazz and Blues singers of the 20th century.
About the stamp design: The image on the Billie Holiday stamp was painted by veteran stamp artist Howard Koslow. Dissatisfied with the photos of Holiday provided by the USPS, Koslow discovered the work of William Gottlieb in jazz books from the library. Koslow met with Gottlieb and found just the right photo of Holiday. It had been taken in the 1940s in a Manhattan nightclub. Koslow created an acrylic painting based on the photo, and this became the stamp’s image.
The Blues and Jazz Singers stamps were originally planned as two separate sets, and different artists were hired for each set. When the two sets were combined into one, both artists continued with their assignments. Magazine illustrator Julian Allen, was given the four blues singers, while Howard Koslow created the artwork for the jazz singers. The USPS supplied photos of the singers to both artists, but they were dissatisfied with the way some of the singers were portrayed and found other sources.
First Day City: The First Day of Issue ceremony for the set was held in Greenville, Mississippi, during the 17th annual Mississippi Delta Blues Festival. Other cities also hosted First Day of Issue celebrations. These included the hometowns of some of the featured singers.
About the Legends of American Music Series: The Legends of American Music Series debuted on January 8, 1993, and ran until September 21, 1999. The stamps were issued in semi-jumbo size. The name of each performer is in white letters, sometimes on a black background to make it stand out. The name of the set is shown running up the left side of the stamp.
More than 90 artists are represented from all styles of music: rock ‘n’ roll, rhythm and blues, country and western, jazz and pop, opera and classical, gospel and folk. In addition to individual singers and Broadway musicals, subjects include band leaders, classical composers, Hollywood songwriters and composers, conductors, lyricists, and more. The Legends of American Music Series was a huge advancement for diversity because it honored many Black and female artists.
Fagan’s father was likely Clarence Holiday, a traveling musician, who left the family to pursue his music career. For much of Holiday’s early life, her mother was away from home for long periods of time for various transportation jobs, so she was raised by extended family.
In 1933, Holiday made her first recording at the age of 18. She recorded “Your Mother’s Son-in-Law” and “Riffin’ the Scotch.” The latter album sold 5,000 copies. Although she was relatively unknown until 1935, these first recordings are considered jazz masterpieces. Holiday impressed producer John Hammond, who claimed, “Her singing almost changed my music tastes and my musical life, because she was the first girl singer I’d come across who actually sang like an improvising jazz genius.”
In 1935, Holiday appeared in Duke Ellington’s short, Symphony in Black: A Rhapsody of Negro Life. That same year she recorded “What a Little Moonlight Can Do,” which gave Holiday her first taste of fame. In the coming years, Holiday made a habit of taking pop songs and turning them into Jazz hits, including “Twenty-Four Hours a Day” and “Yankee Doodle Went to Town.”
Holiday would go on to have more success in the 1940s, with “Lover Man.” In 1946, Holiday appeared in the only major film of her career, New Orleans. After a brief stint in jail for narcotics, Holiday staged a comeback concert at Carnegie Hall in 1948. She sold 2,700 tickets in advance, a record for the time. That same year she also had a short-lived run on Broadway.
Click here to listen to some of Holiday’s songs.